Vom Foto zur Kampfszene: du gegen den Koloss in 6 Einstellungen

Der Weg in einem Satz

Foto aussuchen → Identitätsblock ausfüllen → sechs Clips nacheinander rechnen, jeden mit dem letzten Bild des vorigen starten → am Ende dein Foto als Endbild → schneiden und als KI kennzeichnen.

Startbild, Endbild, Kette

Einstellung 1 startet mit deinem Foto als Startbild. Jede weitere Einstellung startet mit dem letzten Bild der vorigen (im Werkzeug als Startbild hochladen). Bei Einstellung 6 gibst du dein Foto zusätzlich als Endbild mit, dann landet der Film wieder genau im Foto. Rechne zuerst einen Entwurf in niedriger Auflösung und erst die besten Clips in voller Qualität. Ein Clip dauert je 5 Sekunden, Hochformat 9:16, Ton an.

Keine bekannten Figuren

Erfinde einen eigenen Helden: keine bekannte Figur, kein Name einer Figur, kein Emblem auf der Brust, kein Umhang, keine Originalfarben bekannter Helden. Sonst blockt das Werkzeug den Prompt (Urheber- und Markenfilter), und rechtlich wird es heikel. Der Anzug im Identitätsblock ist bewusst schlicht gehalten: anthrazit, eine einzige Akzentfarbe, Handschuhe, Stiefel.

Kampf ohne Blut

Der Gegner ist eine Maschine, und es fließt kein Blut, es gibt keine Verletzungen. Das steht bewusst im Identitätsblock, damit das Werkzeug die Szene nicht blockt und das Video auf allen Plattformen läuft.

IDENTITY AND REALISM (applies to every frame): Take x = the person in the reference photos ([DEIN FOTO] plus 2 to 3 more real photos of you: frontal face, three-quarter face, side profile). Take x's images as single source of truth and do not change anything about x: [DEIN AUSSEHEN, e.g. face shape, hair colour and length, eye colour, beard or no beard, build]. Before the transformation x wears [DEINE KLEIDUNG from the photo]. SUIT (your own original hero design, after the transformation): a fitted matte anthracite grey technical suit like a modern test pilot suit with a fine woven texture, thin [DEINE AKZENTFARBE] seam lines only along the shoulders, the outside of the arms and the sides. The chest is completely plain: NO emblem, no symbol, no letter, no shape, no light on the chest. Black gloves, black boots. No cloak, nothing flowing behind x. No colours of any known hero, no logo. No glasses, no watch, no mask: the face is always uncovered and recognizable. Real skin texture with pores, facial muscles that tense realistically under strain, natural eye line (eyes never rolled up), realistic gravity and physics, real dust, debris and motion blur, exactly five fingers per hand, no morphing of the face, no face swap, no text, no letters, no logos, no watermark, no blood, no injuries. Vertical 9:16, photoreal cinema, shot on a large-format digital cinema camera with anamorphic lenses, subtle film grain, blockbuster grade with [DEINE AKZENTFARBE] as the single accent colour.

SHOT 1 "SOMETHING RISES" (5 seconds, one continuous take, start frame = the start photo exactly: x stands exactly as in the photo at [DEIN ORT]).
CAMERA: 35mm at chest height, locked off, then a slow push-in.
ACTION, beat by beat: 0.0 to 1.0 s x stands exactly as in the photo, still like a photograph. 1.0 to 2.5 s a deep rumble, the water below ripples in rings, glasses on a table rattle, x straightens up and turns x's head toward the sea, eyes narrowing. 2.5 to 4.0 s far out on the sea a gigantic shape rises from the water: a colossus of black steel plates wrapped in thick braided black data cables, with one tall vertical slit of cold white light in the middle of its chest plate, water pouring off it. 4.0 to 5.0 s the transformation: a thin horizontal line of warm [DEINE AKZENTFARBE] light rises from x's feet to x's head like a scanner, and below the line x's clothes become the anthracite suit with [DEINE AKZENTFARBE] seams x's face stays exactly the same.
LIGHT: late afternoon sun, soft warm light, then the sky darkens slightly, the light slit in its chest glows cold white.
ATMOSPHERE: rippling water, a sea breeze, spray where the colossus rises.
SOUND: seagulls, a deep rumble, rattling glasses, a massive groan of metal, crackle of the [DEINE AKZENTFARBE] line.

SHOT 2 "FACE TO FACE" (5 seconds, continues: now on a long concrete harbour pier).
CAMERA: wide low-angle shot from behind and to the side of x, 24mm, handheld with weight, slow push forward.
ACTION, beat by beat: 0.0 to 1.5 s x lands on the pier in the suit, a small cloud of dust. 1.5 to 3.5 s the colossus, about twenty metres tall, steps out of the sea onto the end of the pier, every step makes the concrete crack and water splash, its cable arms hang down and twitch with electric sparks, the cold white light slit pulses. 3.5 to 5.0 s x plants x's feet, raises x's fists, x's face set and calm.
LIGHT: overcast dramatic sky, low warm sun breaking through behind the colossus, cold white light from its chest slit, sparks.
ATMOSPHERE: sea spray, dust from the cracking pier, sparks, flying seagulls.
SOUND: heavy metallic footsteps, crackling electricity, waves crashing, wind.

SHOT 3 "THE CLASH" (5 seconds, continues on the pier). WARDROBE FOR THE WHOLE SHOT: x is already and only wearing the anthracite suit with [DEINE AKZENTFARBE] seams from the first frame to the last; no everyday clothes, no transformation, no glowing scan line in this shot.
CAMERA: handheld, 28mm, close to the action, fast whip pans, strong motion blur, the camera shakes with every impact.
ACTION, beat by beat: 0.0 to 1.5 s the colossus swings a massive arm of braided cables at x, x leaps sideways, the arm smashes into the pier behind x, concrete chunks and dust explode upward. 1.5 to 3.0 s x launches x up and lands a powerful punch on the cable arm, sparks burst in a shower, steel plates dent, the arm recoils. 3.0 to 5.0 s the colossus swings again, x ducks under it, x spins and hits the arm a second time, cable strands snap and whip through the air.
LIGHT: sparks as bright flashes, cold white light from its chest slit, warm sun flare behind.
ATMOSPHERE: flying concrete chunks, dust, sparks, snapping cables, spray.
SOUND: whoosh of the giant arm, crushing concrete, metallic impacts, electric crackle, x's short sharp breaths.

SHOT 4 "THE SLOW-MOTION HIT" (5 seconds, continues the fight).
CAMERA: extreme slow motion at 1000 frames per second, 85mm, a slow arc around x from the side to the front as x's fist meets the chest plate of the colossus.
ACTION, beat by beat: 0.0 to 4.0 s in extreme slow motion x's gloved fist strikes the steel chest plate of the colossus next to the glowing slit; a visible shockwave ripples outward through the metal like a wave on water, sparks float in the air like slow fireflies, fragments of cable drift past x's face, x's face shows maximum effort: jaw clenched, cheeks tensed, veins on the neck, eyes focused and level, x's hair lifts in the shock. 4.0 to 5.0 s snap back to real speed: the colossus staggers backward with a groan.
LIGHT: the white light slit flickers, sparks light x's face in warm flashes, [DEINE AKZENTFARBE] rim light from the sun.
ATMOSPHERE: floating sparks, drifting cable fragments, dust suspended in the air.
SOUND: everything muffled and slowed, a deep stretched boom, then a sudden real-time crash.

SHOT 5 "PUSHED BACK" (5 seconds, continues the fight on the pier).
CAMERA: handheld, 24mm, low and close behind x, then swinging around to x's side.
ACTION, beat by beat: 0.0 to 1.5 s the colossus pushes a massive cable arm against x, x blocks it with both forearms. 1.5 to 3.0 s the force drives x backward: x slides across the concrete pier on x's boots, sparks spraying from under x's heels, a long scorched groove forms in the concrete, x's face strains, jaw clenched, eyes level and focused. 3.0 to 4.0 s x stops right at the edge of the pier, one heel above the water. 4.0 to 5.0 s x pushes the arm aside, rolls x's shoulder and looks up at the colossus with a determined face, unhurt, dust on x's shoulders.
LIGHT: low warm sun from behind, sparks lighting x's face in warm flashes, cold white light from the chest slit above.
ATMOSPHERE: sparks, dust, spray from the sea below, small concrete fragments.
SOUND: grinding boots on concrete, screeching sparks, metallic strain, waves below, x's heavy breathing.

SHOT 6 "GOLDEN LIGHT" (5 seconds, finale, end frame = the start photo exactly).
CAMERA: low angle, 24mm, from behind and beside x, then a fast push-in toward the glowing core.
ACTION, beat by beat: 0.0 to 1.5 s x charges toward the colossus, warm [DEINE AKZENTFARBE] light builds around x's right fist and runs along the [DEINE AKZENTFARBE] seams of x's suit. 1.5 to 2.5 s x leaps and drives the glowing fist into the glowing chest slit: [DEINE AKZENTFARBE] light floods into the colossus, the cables unravel and go limp, the steel plates fall apart and crash slowly into the sea in huge splashes. 
TRANSITION OUT (2.5 to 5.0 s): the [DEINE AKZENTFARBE] light expands until it fills the whole frame bright, then the bright image tears apart down the middle like a sheet of paper, the torn edges flutter away, and behind the tear appears the original start photo with x in the [DEINE KLEIDUNG], arms on the railing, sunny sea behind, completely still like the photograph.
LIGHT: overwhelming warm [DEINE AKZENTFARBE] light ([DEINE AKZENTFARBE]) replacing the cold white light, then soft afternoon sun.
ATMOSPHERE: unravelling cables, falling steel, giant splashes, [DEINE AKZENTFARBE] particles in the air.
SOUND: a rising hum, a huge bright impact, collapsing metal and splashes, then paper tearing, calm sea and seagulls, a camera shutter click.

Nur dein eigenes Gesicht

Das Drehbuch funktioniert nur mit deinem eigenen Foto oder mit schriftlicher Einwilligung der Person. Und weil das Ergebnis wie eine echte Aufnahme wirkt, gehört der Hinweis „Mit KI erstellt“ dazu, im Video oder als Label beim Hochladen.

Keine Rechtsberatung

Dieser Abschnitt zeigt, worauf du achten solltest. Ob ein Clip im Einzelfall zulässig ist, beurteilt eine Anwältin oder ein Anwalt.